Marilyn Monroe Hollywood Candid Cover, Cropped, 1953/Printed Later
Archival pigment print
Edition of 40
Image: 20 x 14 inches; Sheet: 22 x 17 inches

Marlon Brando at home (Time Magazine), 1954/Printed Later *Only 1 print available*
Archival pigment print
Edition of 15
18.5 x 14.25 inches | 34 x 27 inches

Marilyn Monroe at the premiere of There’s No Business Like Show Business, 1954/Printed Later *ONLY 2 PRINTS AVAILABLE
Archival pigment print
Edition of 75
14 x 14 inches | 34 x 34 inches

Brando with Cat, 1954/Printed Later *Only 1 print available*
Archival pigment print
Edition of 75
14 x 14 inches | 34 x 34 inches

Marilyn Monroe at the Ambassador Hotel, 1951/Printed Later
Archival pigment print
Edition of 75; 14 x 14 inches; *Only 1 print available
Edition of 15; 34 x 34 inches; *Only 2 prints available

Marlon Brando with cat and typewriter at his home, 1954/Printed Later *SOLD OUT
Archival pigment print
14.5 x 14.5 inches

Frank Sinatra, Jack Carter, Shirley MacLaine and Dean Martin at one of Martin’s opening nights in Hollywood, 1965/Printed Later *Only 1 print available*
Archival pigment print
Edition of 15
34 x 34 inches

Lucille Ball and Desi Arnaz, c. 1950s/Printed later *Only 1 print available*
Archival pigment print
Edition of 15
34 x 34 inches; Framed: 46 x 46 inches

Ray Millard and Barbara Stanwyck sit together after a meal at an Ice Follies Party, Los Angeles, 1952/Printed Later *Only 1 print available*
Archival pigment print
Edition of 75
14 x 14 inches

Clark Gable and Kay Spreckels at the premiere of A Star is Born at The Egyptian Theatre, 1954/Printed Later *Only 1 print available*
Archival pigment print
Edition of 15
34 x 34 inches

Reporter interviewing Marilyn Monroe and Jane Russell at Grauman’s Chinese Theatre, 1953/Printed Later *Only 2 prints available*
Archival pigment print
Edition of 75
14.25 x 14.25

Judy Garland and her husband, Sidney Luft, Jack Warner, Liberace and Sophie Tucker (“The Last of the Red Hot Mamas”) a the premiere party for A Star Is Born, 1954/Printed Later
Archival pigment print/Printed Later
Edition of 75; 14 x 14 inches; *only 1 print available
Edition of 15; 34 x 34 inches; *only 1 print available

Deer in the Headlights, c. 1954/Printed Later
Archival pigment print
Edition of 40
Signed and numbered in ink on recto
Image: 19.75 x 15.75 inches; Sheet: 22 x 17 inches

Marilyn Monroe and Betty Grable at a party at Ciro’s given by New York columnist, Walter Winchell, 1954/Printed Later *Only 1 print available*
Archival pigment print
Edition of 15
14 x 14 inches

Producer Mike Todd, Elizabeth Taylor, Eva Marie Saint and Jeff Hayden attend the premiere of Director Edward Dmytryk’s film Raintree County at the Stanley Warner Theater, 1957/Printed Later *Only 1 print available*
Archival pigment print
Edition of 75
14.25 x 14.25 inches

Louella Parsons, Marilyn Monroe and the matire d of the Ambassador Hotel at the Cinerama party at the Coconut Grove, c. 1953/Printed Later *Only 1 print available*
Archival pigment print
Edition of 75
14.25 x 14.25 inches

Shirley MacLaine and Robert Mitchum at the premiere of Two for the Seesaw, 1962/Printed Later *Only 1 print available*
Archival pigment print
Edition of 75
18.5 x 14.5 inches

Dean Martin performing on a Bob Hope television special (Suited Dino), 1964/Printed Later *Only 1 print available*
Archival pigment print
Edition of 75
18 x 14.25 inches

Lauren Bacall and British actor David Niven during rehearsal at CBS Television Studios, c. 1955/Printed Later
Archival pigment print
18 x 14.25 inches

Lauren Bacall and Humphrey Boagart while seated at the Academy Awards, RKO Pantages Theatre, Bogart won for best actor in director John Huston’s film The African Queen, 1952 /Printed Later *Only 1 print available*
Archival pigment print
14.25 x 14.25 inches

Bob Hope, Frank Sinatra and Bing Crosby (rare shot without his wig) at NBC Radio studio, 1950/Printed Later *Only 1 print available*
Archival pigment print
18.25 x 18.25 inches

Marilyn Throws Out The First Pitch (1), 1952/Printed Later
Archival pigment print
Edition of 40
Signed and numbered in ink on recto
Image: 20 x 13.25 inches; Sheet: 22 x 17 inches

Marilyn Throws Out The First Pitch (3), 1952/Printed Later
Archival pigment print
Edition of 40
Signed and numbered in ink on recto
Image: 20 x 13.25 inches; Sheet: 22 x 17 inches

Marilyn Throws Out The First Pitch (2), 1952/Printed Later
Archival pigment print
Edition of 40
Signed and numbered in ink on recto
Image: 20 x 13.25 inches; Sheet: 22 x 17 inches

MURRAY GARRETT

July 26 – August 23, 2014

 

https://www.dropbox.com/s/e9sf8sfitadlh5a/MURRAY%20GARRETT%20%28Final%29%20copy.mov?dl=0

 

RECEPTION:
Saturday, July 26, 2014 from 5-8pm

EXHIBITION:
July 26, - August 23, 2014


ROBERT BERMAN GALLERY is pleased to announce the solo exhibition, Murray Garrett: Hollywood Redux. A selection of black and white photographs including never before seen vintage silver gelatin prints from the artist’s archive will be on view July 26 through August 23, 2014. A reception for the artist will be held Saturday, July 26, from 5-8 pm.

From the 1940s until he hung up his cameras in the 1960s New York native, Murray Garrett, was one of the most sought after event and celebrity photographers in the country. With his medium format cameras, like the Speed Graphic and Rollieflex, he deftly captured the lives of the entertainment industry’s elite and other popular figures of American culture and high society. Garrett was consistently welcomed into the innermost circles of Hollywood during its golden age, and produced many iconic, revealing and memorable black and white photographs of an industry where image is everything. As Bob Hope writes:

“There are photographers, and then there is Murray Garrett. He has a magic eye or a secret device in his camera that captures something different, something special that is missed by other photographers…All of Hollywood recognized the genius of Garrett. He was always that one photographer who stood on the inside of the ropes at all the events.”

Originally from Brooklyn, Murray Garrett’s career as a distinguished documentary photographer began while he was still in his teens when he landed a part time job at Graphic House in New York City as the assistant to the legendary theatrical photographer, Eileen Darby. While under Darby’s tutelage, Garrett received his first major assignment in the early 1940s when he was sent to cover first lady, Eleanor Roosevelt, and labor leader Phillip Murray while they attended a musical in Newark, New Jersey. Shortly thereafter, Garrett relocated to Los Angeles to oversee the establishment of the photo agency’s West Coast office. Within a year of his move Garrett was promoted to the position of bureau chief at Graphic House and was completing assignments for almost every major publication in the country including TIME, LOOK and LIFE. For the next 25 years his career flourished into one of the most notable in the genre of celebrity portraiture and reportage. Not only did Garrett cover all of the major Hollywood premiers and galas during the height of film industry glamour, he was granted exclusive access to intimate private events and welcomed into the everyday lives of Hollywood’s highly celebrated stars. Garrett held an esteemed position as Bob Hope’s personal photographer for over two decades. He was the only photographer invited to accompany Richard Burton, Elizabeth Taylor and their children as they flew by private helicopter to Disneyland, and to cover Frank Sinatra’s surprise 21st birthday party for Natalie Wood. His frequent friendships with the who’s who of Tinseltown allowed Garrett to capture rare and fleeting moments with unmatched elegance and ease. He produced a vast body of work that is at once tender, majestic, humorous, and insightful. It is a stunning testament to the sophistication and style of one of the most important periods in cinematic history and a fascinating American timecapsule, rendered beautifully in black and white.

Murray Garrett has served on the board of directors of the National Academy of Recording Arts and Sciences. His work was the subject of a major retrospective at the Academy of Motion Picture Arts and Sciences in 1989. Two monographs of his photographs with accompanying commentary have been published: Hollywood Candid (2000) currently in its third printing, and Hollywood Moments (2002).

Press

Edward Goldman ART TALK with KCRW
Image is Everything - The Huffington Post