Robert Heinecken; Recto/Verso Portfolio,  1989
Handmade, archival case containing 12 Recto/Verso Cibachrome photograms
presented in museum board mats with corresponding text printed on vellum and the
Are You Rea portfolio; Signed and numbered; Edition of 50 plus 10 Artist’s Proofs

Robert Heinecken
Recto/Verso #1,  1988
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #2,  1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #3, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #4, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #5, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #6, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #7, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #8, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #9, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #10, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #11, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken
Recto/Verso #12, 1988
Cibachrome photogram with velum text insert
Image: 14 x 11 inches; Framed: 20.25 x 16.25 inches

Robert Heinecken; Are You Rea Portfolio, 1968
25 lithographs; included in the Recto/Verso Portfolio
Edition of 500; Signed and numbered 405/500 on colophon page; Image: 13 x 10 inches

Victor Landweber
After the Storm, 1984 (Printed 2011)
Digital pigment print
Numbered 1/9
Signed and numbered on verso
Image: 24 x 36 inches; Framed: 25.5 x 37.5 inches

Victor Landweber
Flower Garden, 1984 (Printed 2011)
Digital pigment print
Numbered 2/9
Signed and numbered on verso
Image: 24 x 36 inches; Framed: 25.5 x 37.5 inches

Victor Landweber
Good Things to Eat, 1984 (Printed 2011)
Digital pigment print
Numbered 1/9
Signed and numbered on verso
Image: 24 x 36 inches; Framed: 25.5 x 37.5 inches

Victor Landweber
Pink Masterpiece, 1984 (Printed 2011)
Digital pigment print
Numbered 1/9
Signed and numbered on verso
Image: 24 x 36 inches; Framed: 25.5 x 37.5 inches

Victor Landweber
Meadow Sprite, Water Sprite, 1984 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on verso
Image: 20 x 23.5 inches; Framed: 22 x 25.5 inches

Victor Landweber
The Four Seasons, 1984 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on verso
Image: 24 x 16 inches; Framed: 25.5 x 17.5 inches

Victor Landweber
Think Pink, 1976 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on recto
Image: 34 x 24 inches; Framed: 40.5 x 32.5 inches

Victor Landweber
Greens, 1976 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on recto
Image: 24 x 34 inches; Framed: 32.5 x 40.5 inches

Victor Landweber
Think Blues, 1976 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on recto
Image: 34 x 24 inches; Framed: 40.5 x 32.5 inches

Victor Landweber
Cherie’s Favorite Color, 1976 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on recto
Image: 34 x 24 inches; Framed: 40.5 x 32.5 inches

Victor Landweber
My High School Colors, 1976 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on recto
Image: 34 x 24 inches; Framed: 40.5 x 32.5 inches

Victor Landweber
Basic Black, 1976 (Printed 2011)
Digital pigment print; Numbered 1/9; Signed and numbered on recto
Image: 34 x 24 inches; Framed: 40.5 x 32.5 inches

TRANSFORMATION

Robert Heinecken * Victor Landweber

October 8 – January 28, 2011

ROBERT BERMAN GALLERY presents TRANSFORMATION – conceptual photography from Robert Heinecken and Victor Landweber, appropriating magazine imagery (the former) and paint chip color cards (the latter) as a companion show to PAID TO PLAY – an overview of California illustrators from 1945-1985. TRANSFORMATION has now relocated from our D5 Gallery, to become a part of our LOST & FOUND exhibition at B7 Gallery.

PAID TO PLAY studies art used for commerce and TRANSFORMATION explores commerce used for art.

In Robert Heinecken’s Recto/Verso photogram portfolio – a single page from a mass circulation magazine depicting women and fashion is placed in direct contact with color photographic paper and exposed to light. The resulting image superimposes the visual and verbal information from the front and back of the magazine page without the use of collage, manipulation or other handwork.

Victor Landweber’s Cherie Holding Colored Cards is a photographic series shot in 1976 juxtaposing nudes with colored card paint samples.

Both series examine sexuality in relationship to consumerist culture and identity in the seventies and eighties as influenced originally by pinup images from the forties and fifties.

Recto/Verso was published by Landweber/Artists in 1989 in an edition of fifty plus ten artist’s proof sets. The portfolio is composed of twelve original 11” x 14” Cibachrome photograms, signed by the artist and presented in 16” x 20” museum board mats.

Twelve writers were each asked to address one of the Recto/Verso photograms. Their texts are printed on document-grade vellum slipsheets that overlay the prints. The writers include Alex Sweetman, Van Deren Coke, Irene Borger, Susie Cohen, A.D. Coleman, Claire Peeps, Lynn McLanahan Herbert, Mark Johnstone, James Enyeart, Annie Tucker, Joyce Fernanes, Billy Jay, A. Grundberg & J. Scully.

The portfolio also includes a vintage, numbered and signed copy from the original edition of Robert Heinecken’s 1968 Are You Rea portfolio of twenty-five lithographs with a new introduction by Alex Sweetman. Recto/Verso is in the permanent collections of Los Angeles County Museum of Art, San Francisco Museum of Modern Art, New York Public Library and Museum of Modern Art, New York.

Press

PACIFIC STANDARD TIME
Participating Gallery
ARTFORUM
Reality Effects: The Art of Robert Heinecken